{"title":"art","description":"","products":[{"product_id":"aladin-borioli-bannkorbe-c-o-berlin-talent-award","title":"Aladin Borioli: Bannkörbe","description":"\u003cp\u003e\u003cstrong\u003eWith their uncanny carved masks,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003ebannkörbe\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eprove an unusual precursor to modern beekeeping\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eBannkörbe\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e(literally meaning \"charm baskets\") were a unique form of beekeeping technology that was popular in northern Germany, especially Lower Saxony, between the 17th and early 20th century. In addition to their nesting function, Bannkörbe were used to ward off evil spirits thanks to the strange masks that adorned them. Their appearance at dusk was also intended to scare away honey thieves and bears. This book explores this tradition, which is deeply rooted in magical beliefs, and shows how it represents an unusual alternative to the modern beehive and the economic optimization of beekeeping and honey harvesting.\u003c\/p\u003e\n\u003cp\u003eCombining text and image, Aladin Borioli (born 1988) presents his extensive research project on the Bannkörbe that still exist today. This volume functions as a continuation of his research project entitled\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eApian \u003c\/i\u003ein which he's been using theoretical, iconographic and ethnographic methods to study the relationship between bees and humans since 2014.\u003c\/p\u003e\n\u003c!----\u003e","brand":"Ingram","offers":[{"title":"Default Title","offer_id":49264482648348,"sku":null,"price":40.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0745\/3700\/9436\/files\/DSCF2343_1.jpg?v=1780536259"},{"product_id":"aref-el-rayess-an-artist-from-lebanon-1928-2005","title":"Aref El Rayess: An Artist from Lebanon 1928-2005","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAref el Rayess (1928-2005) was a Lebanese artist who worked in painting, drawing, collage and sculpture. 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Accompanying the eponymous exhibition at Los Angeles’ Hammer Museum, the book takes its title from Coltrane’s 1977 autobiography and devotional text, \u003c\/span\u003e\u003ci\u003eMonument Eternal\u003c\/i\u003e\u003cspan\u003e, in which she reflected on her newfound spiritual beliefs and the path to healing and self-discovery. Coltrane was \"ahead of her time,\" as her son, saxophonist Ravi Coltrane, says: she was \"one of the first people to move outside the mainstream, and certainly one of the first female, Black, American jazz musicians to record her own music in her own studio, and to release music on her own terms.\"\u003c\/span\u003e\u003cbr\u003e\u003ci\u003eAlice Coltrane, Monument Eternal\u003c\/i\u003e\u003cspan\u003e explores themes including spiritual transcendence, sonic innovation and architectural intimacy. The project juxtaposes works from 19 contemporary American artists with pieces of ephemera from Coltrane’s archive—including handwritten sheet music, unreleased audio recordings and rarely seen footage—to honor her cultural output and practice.\u003c\/span\u003e\u003c\/p\u003e","brand":"Ingram","offers":[{"title":"Default Title","offer_id":51354863599900,"sku":"","price":60.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0745\/3700\/9436\/files\/DSCF2995.jpg?v=1780540720"},{"product_id":"blood-sweat-and-time-emerging-perspectives-on-mildred-howard-and-adrian-burrell","title":"Blood, Sweat, and Time: Emerging Perspectives on Mildred Howard and Adrian Burrell","description":"\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eEdite\u003cspan\u003ed by \u003cstrong\u003eLuke Williams\u003c\/strong\u003e, \u003cem\u003e\u003cstrong\u003eBlood, Sweat, and Time: Emerging Perspectives on Mildred Howard and Adrian Burrell\u003c\/strong\u003e\u003c\/em\u003e brings together a collection of creative and scholarly contributions formulated in response to two exhibitions held at the\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan class=\"s1\"\u003e Institute of Contemporary Art San José:\u003c\/span\u003e \u003cem\u003eMildred Howard: The Time and Space of Now\u003c\/em\u003e and \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eAdrian Burrell: Sugarcan\u003c\/span\u003ee and Lightning pt 3\u003c\/em\u003e. Consolidated around the capacious themes of “blood,” “sweat,” and “time,” this collection intensifies the thematic conversation initiated by these exhibitions and probes several critical questions: How does the long durée of history inform the contemporary moment of Black art? How might gender and sexual identities inform time as an inflection point? How does labor appear or disappear in the art world? What messages should we collectively share with those coming behind us? \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eForeword by \u003cstrong\u003eZoë Latzer\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eand introduction by\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eLuke Williams\u003c\/strong\u003e. Contributors include:\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eSelam Bekele, Elena Gross,\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eShaquille Heath, Benjamin L. Jones, Deborah LeFalle, Charles H. 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Some may associate technology, digital communication and data with the new, and the new with the future. What if the future is only a technology as old and unusual as clay? What if clay is a matter that renews itself constantly and gives time its unpredictable configurations?\u003c\/span\u003e\u003c\/p\u003e","brand":"Idea","offers":[{"title":"Default Title","offer_id":52103310901532,"sku":"","price":22.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0745\/3700\/9436\/files\/DSCF2776_1.jpg?v=1780541733"}],"url":"https:\/\/ojala.la\/collections\/art.oembed","provider":"Ojalá","version":"1.0","type":"link"}