{"title":"history","description":"","products":[{"product_id":"a-social-history-of-iranian-cinema-volume-3-the-islamicate-period-1978-1984-hamid-naficy","title":"A Social History of Iranian Cinema, Volume 3: The Islamicate Period, 1978–1984 \/ Hamid Naficy","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eHamid Naficy is one of the world’s leading authorities on Iranian film, and \u003c\/span\u003e\u003ci\u003eA Social History of Iranian Cinema\u003c\/i\u003e\u003cspan\u003e is his magnum opus. Covering the late nineteenth century to the early twenty-first and addressing documentaries, popular genres, and art films, it explains Iran’s peculiar cinematic production modes, as well as the role of cinema and media in shaping modernity and a modern national identity in Iran. This comprehensive social history unfolds across four volumes, each of which can be appreciated on its own.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eIn\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eVolume 3\u003c\/i\u003e, Naficy assesses the profound effects of the Islamic Revolution on Iran's cinema and film industry. Throughout the book, he uses the term Islamicate, rather than Islamic, to indicate that the values of the postrevolutionary state, culture, and cinema were informed not only by Islam but also by Persian traditions. Naficy examines documentary films made to record events prior to, during, and in the immediate aftermath of the revolution. He describes how certain institutions and individuals, including prerevolutionary cinema and filmmakers, were associated with the Pahlavi regime, the West, and modernity and therefore perceived as corrupt and immoral. Many of the nation's moviehouses were burned down. Prerevolutionary films were subject to strict review and often banned, to be replaced with films commensurate with Islamicate values. Filmmakers and entertainers were thrown out of the industry, exiled, imprisoned, and even executed. Yet, out of this revolutionary turmoil, an extraordinary Islamicate cinema and film culture emerged. Naficy traces its development and explains how Iran's long war with Iraq, the gendered segregation of space, and the imposition of the veil on women encouraged certain ideological and aesthetic trends in film and related media. Finally, he discusses the structural, administrative, and regulatory measures that helped to institutionalize the new evolving cinema.\u003c\/p\u003e\n\u003c!----\u003e","brand":"Duke University Press","offers":[{"title":"Default Title","offer_id":48977701011740,"sku":"","price":28.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0745\/3700\/9436\/files\/DSCF3238_1.jpg?v=1780538023"},{"product_id":"a-social-history-of-iranian-cinema-volume-2-the-industrializing-years-1941-1978-hamid-naficy","title":"A Social History of Iranian Cinema, Volume 2: The Industrializing Years, 1941–1978 \/ Hamid Naficy","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eHamid Naficy is one of the world’s leading authorities on Iranian film, and \u003c\/span\u003e\u003ci\u003eA Social History of Iranian Cinema\u003c\/i\u003e\u003cspan\u003e is his magnum opus. Covering the late nineteenth century to the early twenty-first and addressing documentaries, popular genres, and art films, it explains Iran’s peculiar cinematic production modes, as well as the role of cinema and media in shaping modernity and a modern national identity in Iran. This comprehensive social history unfolds across four volumes, each of which can be appreciated on its own.\u003c\/span\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"Duke University Press","offers":[{"title":"Default Title","offer_id":48984823005468,"sku":"","price":35.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0745\/3700\/9436\/files\/DSCF3248_1.jpg?v=1780537970"},{"product_id":"an-inherent-tear-rodrigo-quijano","title":"An Inherent Tear \/ Rodrigo Quijano","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRodrigo Quijano’s \u003c\/span\u003e\u003cem\u003eAn Inherent Tear\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003eassembles a suite of poems first published in Lima in 1998 as \u003c\/span\u003e\u003cem\u003eUna procesión entera va por dentro\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003eand his 2014 essay “A Terrace in Valparaiso,” translated into English for the first time by Judah Rubin. Written during the Fujimori years of the 1990s—a period characterized by the end of the conflict between the Maoist Sendero Luminoso insurgency, the Peruvian army, and the Marxist-Leninist Túpac Amaru Revolutionary Movement—Quijano’s bracingly mournful and incisively wry poems insist that we not turn away from the unburied dead. Shifting between neo-baroque hermeticism and a poetics of the conversational, his work destabilizes lyric subjectivity, testing the limits of the structure of metaphor to relay the impasses of the present. Reflecting almost twenty years later from the “city of wildfires,” Quijano’s essay charts the continued landscape of state violence that carries with it the “payroll of bones” Cesar Vallejo evoked nearly a century earlier. In this new, searing collection, Quijano searches amid the smoke and the ashes for “A place to spend the night, \/ or a language to speak in, \/ walking through the desert, or drilling into our \/ insubstantial dreams.”\u003c\/span\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"Wendy's Subway","offers":[{"title":"Default Title","offer_id":49120360202524,"sku":"","price":18.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0745\/3700\/9436\/files\/DSCF2736.jpg?v=1780370971"},{"product_id":"when-affirmative-action-was-white-an-untold-history-of-racial-inequality-in-twentieth-century-america-katznelson-ira","title":"When Affirmative Action Was White: An Untold History of Racial Inequality in Twentieth-Century America \/ Ira Katznelson","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWith this explosive analysis, Ira Katznelson fundamentally recast our understanding of twentieth-century American history, demonstrating that the key programs passed during the New Deal and Fair Deal eras were not, as we are so often told, fundamentally equitable or impartial, but discriminatory in the way they deliberately excluded African Americans from benefits. In fact, Katznelson writes, the gap between black and white Americans actually widened following this period, owing, in no small part, to the segregationist designs of southern Democrats. Now featuring a new introduction that situates this saga within the wider context of twentieth- and twenty-first-century history, \u003c\/span\u003e\u003cem\u003eWhen Affirmative Action Was White\u003c\/em\u003e\u003cspan\u003e remains, tragically, as salient as ever, providing both a \"painful understanding of how politics and race intersect\" (Henry Louis Gates Jr.) and a broad justification for continuing affirmative action programs.\u003c\/span\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"Ingram","offers":[{"title":"Default Title","offer_id":49247871729948,"sku":"","price":18.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0745\/3700\/9436\/files\/DSCF3184_1.jpg?v=1780538721"},{"product_id":"larissa-reisner-the-decembrists","title":"Larissa Reisner – The Decembrists","description":"\u003cdiv class=\"product-detail-description-text\" itemprop=\"description\"\u003eThe first English translation of Larisa Reisner's writings on the Decembrist uprising, originally penned in 1925 for the centenary of the event, offers a Marxist perspective on Russia’s first revolution against tsarist autocracy. Translated and introduced by Cathy Porter, these essays vividly portray the lives of young poets, officers, and aristocrats involved in the 1825 revolt. Reisner, a heroine of the October Revolution and a leading Soviet journalist, is renowned for her six influential books written from the front lines of war and revolution. Her Decembrist essays, praised by Viktor Shklovsky as her finest work, were deeply researched using newly accessible archives. Porter’s introduction includes a bibliography, dramatis personae, and detailed context. The 128-page book, designed by Ott Kagovere, features portraits of the key figures.\u003c\/div\u003e","brand":"Idea","offers":[{"title":"Default Title","offer_id":53270768320796,"sku":null,"price":26.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0745\/3700\/9436\/files\/DSCF2870.jpg?v=1780370963"}],"url":"https:\/\/ojala.la\/collections\/history.oembed","provider":"Ojalá","version":"1.0","type":"link"}